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Tag Archives: Ganga

Dura and Ganga fight Adivasi style

13 Saturday Sep 2014

Posted by opus125 in Indian Art, Tribal India

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durga, Ganga, Manimala Chitrakar, patua painters

Durg and Ganga fight

Durga and Ganga fight 

According to Adivasi legend the conflict between  Durga and Ganga was a verbal but fond abuse between two village women.

Why is Ganga perched in Shiva’s head, Durga wants to know.

“It is Shiva himself who has folded me into his long tresses” says Ganga but Durga demands to know why Ganga qualifies for the honour.

“My water is supposed to be purifying”, Gaga replies. This only makes Durga furious to hear “That Old windbag”, muttering “So Mahadevi, the god of gods, needs her purifying touch. is it?”

“Who am I to talk of pure and impure? Why don’t you go and ask your husband?’

“Hold it” shouts Durga “you think I should bother Shiva over such trifles?”‘

“Well, bless yourself that I have not begun to sing your praises!” says Durga

Durga retorts “Killing eight new born’s, a blot on motherhood, that is what you are, don’t you question my reputation”

“The infants tat were born to me from king Shantanu were Ashta vastu and I had to kill them to lift the curse of them, otherwise which mother would do such a thing? So easily you abuse me, yet the world knows me as Triok-tarini. What about you?”

“None can equal my virtue” says Durga. “The world trembles at my power.”

“Well done, virtuous lady, married your own son? In the beginning you alone as Primordial energy permeated the world. Shiva himself was born of you. With this knowledge, how could you take him as your husband?”

“Your dumb, how would have creation happened otherwise?”  replies Durga. “Besides, I had already taken 108 births and rebirths before I married Shiva.”

…..  And so back and forth the debate continues unravelling the many myths of Durga and Ganga until each must admit the power and virtue of each other that strikes the chord of friendship.

Here the myth is painted and sung by the Patua painters of Bengal. The artists Manimala Chitrakar and Shri Gurupad Chitrakar are from the Midrapur region of Bengal. The art work is painted on a sora, or terracotta plate.

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Reflections of the Ganges from the Nile and back again

26 Thursday Jun 2014

Posted by opus125 in India

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Ganga, Ganges, Nile, Pierre Chardin, simon schama

 

Sacred River GandawaAs a Westerner I am very aware many look on the adoration the Ganges with quiet bemusement. But is it really fair?  Landscapes shape the world that form our identities.

As Simon Schama wrote “Before it can ever be the repose for the senses, landscape is the work of the mind. Its scenery is built up as much from strata of memory as from layers of Rock.”

The past lives on in art and memory, but it is not static: it shifts and changes as the present throws its shadow backwards. So perhaps Westerners should consider their own biblical heritage.

Can you imagine the life and death experienced on the ancient Nile river? Plague effecting many, and the threat of hippo attack its huge open mouth wallowing in water? There were of course the pleasures of figs,  baths for the wealthy and yet fearsome serpents.

Traveller Felix Fabri plagiarised Seneca to say “the Nile does not take but gives” manuring the soil floods not floods of misery that plagued middle age Europe but a “flood of joy” . It seemed the flood washed away the horrors of disease  that sped life and  rejuvenation like  hatchlings of crocodiles.

Drinking from the Nile will make a make a barren woman fertile, it was claimed.

When emperor Theodosius in 391 ordered destruction of the Serapeum of Alexandria the following flood failures were blamed on the   unhappy gods Hapy, Nilus  and Serapus. Osiris, a god of death and resurrection and both the Nile and Tigris were said to link to the underworld.

Just as an Indian may bathe in the Ganges for purification, in Pompei water from the goddess Isis was sprinkled on the head to cleanse a person. Is this any different from a believer descending the Ganges during Ganga Dusshera to be purified, offering  sandalwood, flowers, and milk.lighting incense and a lamp and feeding fish with flower balls?

In the Bible the Jordan was the river of deliverance. Its cascading pure waters from Lebanon cleansed believers and carried a nation to freedom.  In Qumrum it was not the languid lubricant of sin, but of fastidious purification rituals  in channels cut in bleached stone that emptied into the Dead Sea.

During the Middle ages people believed that to wash in the Father Rhine could wash away misfortunes for the coming year.

Speculation of Edens four rivers led some like Fabri and Josephus to link the ‘Gihon’ of Eden fed by a primordial Tigris. Fabri points out Nile rises and falls under Leo and Virgo .

I am reminded of the Renaissance attempts to find  Plato’s unity of world in time and space. The earlier Philo had described fons sapientiae,  the union of goodness, beauty and wisdom. In Islam the Quran describes the reward of   paradise as a garden where waters flow underneath.  We can also think of Renaissance villas that tried to find beauty in the truth of form.

How does this line my thoughts to the Ganga?

Aart at Nashik

The course of a river depends on the nature of its basin .

So the course of knowledge depends on the condition of the society of the seeker.

Truth to a Westerner is a cellular and compartmentalised. Indian Truths are believed to be  simply a frame of reference.

To India science is like trying to see the world from a heliocentric world view that you must transcend. The heliocentric sun is blindingly intense in its logic . But what of the inner discovery that allows you to take the next step?

The divine light of fire was mythologicalyl held by Jupiter  who punished Prometheus for taking knowledge out of the realm of archetypal purity and extending it to earth. It is as if by compassion the purity if the circle had been extended, drawn down to earth to form a spiral, like a river.

If we see earth as an organism, a cosmic egg, of sacred mountains and magnetic sacred centres, then the hierarchy of chakras – and all nature has hierarchies – reveal that any religious truth is in fact only a part and never a whole.

After the atomistic world view gave way to a gestalt of integration, society is seeking holism but occasionally loses its way. We can think of Pierre Chardin describing man as having a “reflective consciousness” that can stand outside of data and consider his place in it.

But when I see the ecstasy of believers in rivers of India I am reminded of  our small part in the whole.

Hindus revere nature, rarely seeking to mold it into their own design. You see this in the drooping banyan trees drooping its creepers in the middle of a road . Just as Hindu towns, palaces, temples, and buildings growing organically, so does the organic appreciation of nature.

Like the Ganges, much of India is linked to a sacred history, much as Homer linked, say, the sirens of Greek myth between Aeaea and the rock of Scylla.

An example of sacral land. Where it is claimed Ram and Sita spent the night.

An example of sacral land. Where it is claimed Ram and Sita spent the night. Nashik.

Hence, the landscape has its memory that fill peoples lives even today. Or to repeat  Simon Schama

“Before it can ever be the repose for the senses, landscape is the work of the mind. Its scenery is built up as much from strata of memory as from layers of Rock.”

 

Ganga Aarti

Ganga Aarti

 

 

So as I watch aarti, a small  diya with candle and flowers is released and an offering made to Maa Ganga. The lamps have been circled by Pandits as the lamps acquire the power of the deity.

Cupping their hands over the flame palms are bought to the forehead to revieve purification and blessing.

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The Gangetic River Corridor

27 Friday Dec 2013

Posted by opus125 in India

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Ganga, Ganges River, Gangetic River Corridor, India

Varanasi by Runfox http://fav.me/d5w78yc

Varanasi by Runfox
http://fav.me/d5w78yc

One sixth of India’s population  lives in Uttar Pradesh, where for 150 years men and women  of the cow belt have  struggled  to establish a productive country side with canals, barrages, and roadways.

It is a densely populated river belt is soluble states  of water, mud, dirt, dust, dirty and atmosphere  – and cultural state 0f village, town, city, nation, festival and harvests.

The growing scarcity of fresh water , the lunacity  of weather cycles, reveal the preciousness of water variation Then the monsoon onslaught transforms  parched aridity to gelatinous wet.

The Ganges, Yamuna and natural aquifers are a supersurface of hydrological architecture , a  fertile meeting of religion, culture and agriculture where culture and ideology are bound by seasonal rains. Where once the vicissitudes of harsh weather  bound distribution famine and civil unrest.

Then came monumental rural infrastructure: post 1947,  and soviet inspired 5 year plans . The 1960’s,  tube wells and portable water pumping mechanisms , GM seeds and the green revolution.

But a Monsoon dependant land depends on transient cultivated soil , and water absorption rates   Instead, much water is now diverted by pavers, concrete roofs and agriculture fields.

UP is no more just a typography of ground cover.

Image: Varanasiby Runfox <http://fav.me/d5w79v7&gt;

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